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Himself as part of a medley for his 1977 hi lp 'into something (Can't Shake loose. Hit a contractual problem, as Jamison explains: "When the record came out, don Robey sued Goldwax, claiming that. Was still under contract to peacock. They came to an agreement and. Left to join Robey's label in Texas." (As part of the settlement,. Had to pay robey damages.) Robey kept him under contract, placing him on the back beat subsidiary alongside jeanette williams and joe hinton amongst others. But Jamison adds some further fuel to the story: "There was another single.

Williams, 'moohah' as he was known, was an important dee-jay at wdia in Memphis whom. And i knew very well from our on-air gospel performances at wdia. I believe he was the one who advantages suggested to Stax that the Otis single be flipped to plug 'Mr. Pitiful' in order to give. V.'s version a chance to break. 4) It is more likely, however, that moohah wanted Stax to go with 'Mr. Pitiful' as he had reportedly coined the phrase to describe the way otis sang his ballads. 'That's How Strong my love is' began to sell quite well for. V., but not as well as it might have as Goldwax was distributed by Chicago-based vee-jay (later releases were distributed by bell) who were encountering their own problems at the time. It subsequently became a much-recorded song over the years, including versions by tommie young, candi Staton, laura lee, little milton and a re-cut.

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Just after it was released, Otis Redding's version of That's How Strong my love is came out. My understanding is that while they were Stax were working on an Otis Redding session, Steve cropper brought out this song. Otis liked it and wanted to record it, When they went to cut the song, they found it wasn't long enough. They tried to get in touch with me, but couldn't reach me, so Steve came up with a little sketch at the end that went something like; 'i'd be the ocean so deep and wide / to catch all your tears whenever you cried'. I had nothing at all to do with that particular verse. I wasn't even aware that Otis was cutting the song until after it was released. If I had known, i would've supplied them with numerous other verses. There were six or seven more that they were never exposed. On top of that, there is an introductory monologue for the song which essay no one has ever recorded that opens up the whole song and lets you look inside.

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Wright and James Carr recalled quinton. "It was right here on my doorstep, when I heard a knocl on my door at about 10 o'clock one night and found roosevelt Jamison, james Carr and. They had this essay little portable tape recorder, so we sat down here on this floor and listened to some tapes. Both of them just knocked me out, and I made moves to sign them on the spot. 5) having recorded the demo of 'That's How Strong my love is the idea was to sell it to one of Goldwax's artists but,. Said, "After they heard me sing it, they gave me 500 to record." roosevelt offers a slightly different slant on the story: "I brought a tape of that song to quinton's house and played it for them, but they didn't care for it too. The song that they were interested in was 'There goes my used to be'. When the single was released, 'that's How Strong my love is' was the b-side and There goes my used to be was on the a-side. When the dee-jays got it they preferred the b-side and played it imstead.

Around this time. V., whose day job then was working for a garbage truck company, was encouraged by roosevelt to break into r b and went to the small Goldwax studio in Memphis to record a demo of 'That's How Strong my love is'. "It was through Richard Sanders that I hooked up with Goldwax jamison continued, "Richard Sanders was a friend of mine and also part owner of Goldwax. Richard and i acted as talent scouts to find new acts for the label. It was through Richard that I met quinton Claunch and Rudolph 'doc' russell, the label owners. Record That's How Strong my love is and brought a tape of that song to quinton's house and played it for him. 4) "I remember the way i met.

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He was a great guy - i liked him a lot and we got along beautifully. People have sometimes remarked that my style of singing is somewhat similar in its phrasing, etc. Yes, he was a dear friend of mine and was devastating vocally. He sang lead most of the time, though Grover Blake, who sang baritone, was the group's manager. He was a good singer too, but not as good. 3) It was common for gospel groups to resignation sing together at the various churches in Memphis. One of these groups - the redemption Harmonizers - included roosevelt Jamison, a graduate of booker.

At the age of 19, whilst roosevelt was running the Inter-State Blood Bank for the University of Tennessee, he began rehearsing other groups such as The harmony Echoes, which included James Carr, and The sunset Travelers. Roosevelt had grown up singing in the baptist church but turned to writing "because my timing wasn't very good." Whilst going out with one of the nurses in 1963, he started to compose a poem about the ways to express how strong his love was. She encouraged him to write a song, 'that's How Strong my love is which he initially took to a stax audition one saturday morning in 1964 as he later recounted: "I wanted to find out if there was any interest in it, so i brought. Steve cropper was there when I walked in and I showed him the song I'd written on paper. He asked me to sing it if I could, but I found it difficult without any musical accompaniment. So steve began plunking away on the piano while i sung onto a tape machine. 4) Stax didn't appear to want to do anything with the song at the time, so roosevelt started to scout around elsewhere.

I arranged this number something like on the order that rev. Left The sunset Travelers, he started with pop, but he was a gospel lover. He would come back many times and sing with the group when he was around or wanted to sing with them. But we didn't let him sing on programs because people knew he was singing rock'n' roll, and, you know. 2) After a couple of singles on duke, the group was later switched to the parent peacock logo. Initial singles for peacock with.

As lead were lazarus and you are Blessed, both recorded in 1959. Others followed, up until 1964. The dixie nightingales, a memphis-based gospel quartet, had also made some test pressings for wdia in the early 1950s. Ollie braxton Hoskins (later Nightingale the lead singer of the group, who subsequently recorded secular material for Stax, Pride, retta and Ecko, met. Whilst he (O.V.) was with The sunset Travelers. "Although we never sang with The sunset Travelers,. And I would meet up at different singing locations and have a ball, testifyin swapping ideas, etc.

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A style, singing like rev. Back in that time, babb would sing such songs. If you miss me from, praying recorded in 1955/56 for Nashboro. "When I got. We would let him sing just beauty one song, and he could just stand straight, wouldn't even move, just stand. It was such a tremendous voice that when he'd got to a certain peak in his voice, people couldn't stand it anymore. We cut a hit tape, wdia played it, 'sit dissertation Down And Rest a while'. That was the first song he sang. See, i got it from 'If you miss me from Praying'.

wright a paper

We started on the road and we was blocked because our lead singer, sammy lee dotch that made the hit, he couldn't. And then that threw us to search for another lead singer. Wright out of high school. He was from out here. He was 17 - that was in 1956. When he came to the group, he was singing like sam cooke but, taking him out of high school as a young kid, then I changed his voice. I said, 'i wouldn't sing like sam cooke.'. I love sam cooke!' i said, 'rev. Morgan Babb, he's a much better singer.' he sang with the radio toy four who recorded for Tennessee, republic and Nashboro from 1952 to 1964.

he made his debut with. Sit Down And Rest a, while as a test recording for the memphis radio station wdia. Grover Blake, baritone singer and musical director/arranger for the group, recalled meeting. And introducing him to The sunset Travelers: "Our The sunset Travelers first recordings were in 1953 for duke the label formed in Memphis by wdia station manager david James Mattis and subsequently taken over by don Robey in houston, texas. The record we made for duke 'i'm building a home' and 'i wish i was In heaven. Sitting Down' - our first record - was a hit.

Born on in the wood small town of Leno about 30 miles outside memphis on the germantown road,. Was brought up singing in church at the tender age of six. "My mother used to give me a quarter every time i'd get up and sing a solo he was"d as saying. This was at the temple in Eads. By the age of 13, he had progressed to the golden leaf Missionary Church under the reverend. Hamblin from where he went on to sing lead in the five harmonaires, which included his older brother Edward. Also sang briefly with The. Spirit Of Memphis quartet and the highway qcs before returning to The.

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From gospel to soul to gospel "When you gave. Wright a song, the song belonged to him. Nobody would do it that way again. In fact, i think. Wright was the greatest blues artist i've ever produced." so related Willie mitchell in a 1987 interview discussing the people with whom he had worked and produced for hi records.(1) In fact, memphis-based. Wright was the quintessential gospel-based soul/blues artist whose intense, aching style was captured so perfectly by willie on the vast small majority of his recordings during a turbulent, yet woefully short career. Overton Vertis Wright lived in the. Memphis area throughout his life.

wright a paper
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