I only heard a deep low voice. I looked around, and I was shocked to see this small fragile blonde girl.» beauty Only a year later, in may 1984, Schwarz came back to the club with friends. Irma met him in the hall, and talked to him about her daughter all night. The next day schwarz called his friends in Paris and arranged a meeting with joël Cartigny, a director at the. It was the first trip to paris for 18-year-old Patricia and her mother. In the face of joël Cartigny, patricia sang some french songs. Joël Cartigny recalls: «What I remember of our first meeting, is a girl with almost transparent skin, badly dressed, speaking rather bad French, but with extraordinary eyes and of course, that magic voice i immediately felt that she had a monstrous talent and enormous potential.». Cartigny fought with, phonogram to make a record with Patricia, but it wasn´t easy. He was told every time that she wouldt sell because at that time the french chanson wasn´t popular.
I wouldn´t even look at boys, i was good friends with them but I couldn´t imagine any of wood them would be interested. I started developing at the age of 17 and it felt like i had to wait forever At 17 I grew about. A year, which made me very fragile and weak. Only years later I gained a bit of confidence and realized that I can seduce!». By the time she was 17, patricia could pick by herself the songs she performed in the club, aside from the usual cabaret classics that were popular at the time (. New-York new-York, just a gigolo, lily marlène and more). In 1983, a man named Bernard Schwarz came into the. This man was not a famous musical producer but an architect from Bitche (Moselle). «When I came into the club I didn´t notice her.
Supported by her mother, patricia decided to make a choice in favour of her future singer career and to drop out of school. She was making good money and was allowed to spend her money the way she liked. Patricia mostly enjoyed buying fashionable clothes. She and her mother would go shopping together, talked about their hopes and dreams. Patricia was a good girl, she never argued with her parents about going out, the first time she ever went to a night club was when she was 17, and it was her brother´s club. She never was interested in boys either, because she was very insecure about her looks of a thin, petite girl with pale skin. «I always wore heels because i was so small, but most of all I was insecure because i was so thin, i had no breast and it made me miserable. I wore baggy clothes so that nobody would see my body but the results were awful.
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She went to every performance with her little girl, and whenever Patricia missed school because of her musical activities, mommy wrote the necessary notes for school. Joseph worked very hard at the mine, but Irma could now dedicate herself completely to her youngest daughter, and they had very close relations. From the age of 9 until 12, patricia together with her sister Carine participated in the parades that took place at Stiring-Wendel. During these parades kids dressed in special uniform, sang and danced with wooden sticks. Soon little patricia got one of the leading places in the troupe.
At the same time she plan joined the band. Black Flowers where she sang popular disco songs. At 13 Patricia got a proposal contract at the german cabaret-club. Rumpelkammer at saarebrück, at the german side of the border. She sang 3 times a week, at times the performances lasted until 3-4 at night. Patricia became almost a professional singer and stayed in this cabaret for 7 years.
She didn´t like school. The problem was not with the teachers, but with her classmates who didn´t accept her. She didn´t like going out much, didn´t have boyfriends, didn´t smoke and was always by herself she wasn´t «popular». She had one best friend, a girl who lived next door. Another best friend was her first dog, a dalmatian named Cindy.
But while she was uncomfortable with kids her age, patricia felt great on stage. In this adult world she was happy. Patricia loved singing since early childhood. She met her first stage at the age. It was during a carnival in her hometown Forbach, she sang Claude Francois´ song. Sale bonhomme and won her first award a bag of candy. Since than she was accompanied by her mother to all kinds of singing contests and carnivals. Irma believed in her daughter´s talent with all her heart.
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Joseph worked as a miner, and the family was not rich, but not too poor either. The children were satisfied in their cosy little house. Patricia tells that when she saw her friends going away to beauty vacations she never was really jealous. «I was raised in a family where love and honesty were the biggest treasure she says. The youngest child of the family, patricia was very shy and modest. She loved spending time in her room, listening to Claude Francois´ music. He was her idol, she loved him so much that when he died she got into deep depression that made her sick for beauty 3 days. Patricia spoke only german as a small child, as it was the main language spoken in the house. Only when she went to school did she learn French.
Starting with the 6th century this region was a subject of constant battles between resume France and Germany. From 19th to 20th century it changed hands between France and Germany, depending on who was winning the war. It made an effect on the lorraine culture. You can hear the german language here as much as French. From her childhood Patricia was surrounded by both cultures, and it´s not surprising her father was a french man, while her mother was German. Irmgard, a beautiful German blonde with blue eyes, always dreamed of being an actress. But when she met and fell in love with Joseph kaas she gave up her girlish dreams and dedicated herself to family life. They gave birth to 7 children 5 boys and 2 girls.
ink. I also enjoy painting with a knife. This technique, when elaborating a portrait for instance, consists in ap- plying uneven tinges onto the canvas. In the end, it looks like a sculpture—the face seems to have been carved into tinted wood. In addition to that, i also allow myself to use other methods, such as throwing paint to obtain a different aspect. In any case, i like to create relief because it brings the observer closer to the portraits, by making them palpable, therefore alive— the catchword in my works). Abai, qunanbaiuli - wikipedia, the free encyclopedia. Patricia kaas was born on December 5, 1966, in a small town called Forbach in the lorraine region at Eastern France, just by the german border.
I do like to tickle my charac- ters in order to reveal their aws; I distort their faces with hatred and their features with pain, but I make sure i always the leave traces of hope, or even happiness. I choose to use strong colors (those that bear heavy signi cation, such as red, black, or earth brown but i enjoy hijacking their meanings and lead them away from their symbolic representations. Green at the bottom of a painting does not necessarily represent grass. Conversely, i do not need red to reproduce blood. All these symbols are fun to toy with. Technically, i like to discover—therefore try—new ways of painting and preparing the canvas. For instance, i soak the honeycomb paper sheet in lukewarm water, beforehand.
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While watching a movie (which is going to generate or bring back certain emotions while walking through the streets of my neighborhood, or when seeing a face or an alley which suggests something special. When it happens, i cannot actually say it is a desire, it is rather like a need to paint. I have to start quickly so the feeling I want to replicate onto the canvas does not fade away. What really matters is the instant. I want to lay down images of the souls that touch me—or have touched. To that end, with the use of paint, i project mom onto a face the effects it has upon. In spite of appearances, my goal is not to create an atmosphere that is depressing to the potential viewers. Although the origin of some paintings might be dark, their intended goal is not.